Posted above is the original sketch of a panel and below is the final, revised, original rough art of the full page. You can see the final color version on the Papercutz site! The panel above shows Doof holding up a Perry the Playtpus mock-up which he called a "practipus." It's a log of wood (painted to look like Perry) with a fedora hat, a paper birthday party hat as a beak, tennis balls for eyes, tree twigs for arms, rubber gloves for feet, and a tennis racket (his tail) which is tied to the log. He uses it to taunt and train the Goozim to attack Agent P.
As you can also see at the top, the original title for the story was "Invitation Monster" which got turned into the more exciting "Night of the Goozim!" Things would get changed over the time you did them and you would see the final titles on the work contracts as the job numbers and titles had to match up.
No AI. It was all drawn by hand on paper with care. I feel stupid having to type that, but this is where we are sadly. The original art for this was sold. Another reason to draw on paper!
As with most Disney work, you would get the script and draw it, then submit it, then get any notes or changes to do. If you were lucky, most notes were about fixing small things like noses or hands. You submitted the revised page back to Disney for a final check. Once it was approved you moved onto the next step, which in this case, was the inking stage. Yes, I know my art looks inked. It was, but it was a rough ink job to lock in every aspect as this was Disney. I worked tight when I worked on licensed stuff. If I inked my own work I would normally tweak some minor things as I inked. Not always, but you could catch something that the powers-that-be might have missed. The approval times were quick then (which made it fun) and a fast turnaround to get paid (even better)! Not so much in today's world.


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